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Rebecca Penneys leads a distinguished
career as a recitalist, chamber musician, orchestral
soloist and educator. For four decades her intelligent
and insightful performances have held audiences
spellbound. She combines a busy concert schedule
with guidance for an international class of students
at Eastman and Chautauqua, and gives master classes
and seminars at other major teaching institutions
worldwide. She has been Professor of Piano at Eastman
since 1980 and Chairs the Piano Department at the
Chautauqua Institution where she has been a resident
artist and teacher for twenty-three consecutive
seasons. She has created a program there which is
unique in the world of piano instruction.
Born in Los Angeles, Rebecca made her debut at
the age of nine and performed as soloist with the
Los Angeles Philharmonic at the age of eleven. At
seventeen, after winning many young artist competitions
in the United States, she was awarded the unprecedented
Special Critics' Prize for her performances at the
Seventh International Chopin Piano Competition in
Warsaw, Poland. Subsequently, she won of the Most
Outstanding Musician Prize at the Fifth Vianna Da
Motta International Piano Competition (Portugal)
and was Top Prizewinner in the Second Paloma O'Shea
International Piano Competition (Spain). In 1974,
she founded the acclaimed New Arts Trio, which won
the prestigious Naumburg Award for Chamber Music
(New York), on two separate occasions. The Trio
has been Trio-in-Residence at the Chautauqua Institution
since1978. Her teachers include Aube Tzerko, Leonard
Stein, Rosina Lhevinne, Artur Rubinstein, Menahem
Pressler, Gyorgy Sebok and Janos Starker.
As a performer Rebecca has appeared in East Asia,
New Zealand, Australia, Europe, Israel, South America,
and throughout the United States and Canada as soloist
and chamber musician. She has performed numerous
Sound/Color recitals exploring the connections between
the sensory system and sound, color and music. In
the last few seasons she was keynote speaker, performer
and teacher at North Carolina Music Teachers Association
Conventions in Raleigh, Charlotte, and Fayetteville,
as well as Guest Teacher at the Tel Hai International
Music Festival, Israel. She was also featured artist/teacher
on the Pabst Theater Series, Milwaukee, Wisconsin
and performed and taught in California, Ohio, Michigan,
Minnesota, North Carolina, New York City area, Wisconsin,
Ontario and Quebec. She gave recitals and masterclasses
at such schools as Roosevelt Musical College, New
England Conservatory, Longy School, Grinnell College,
Skidmore College and Wisconsin Conservatory of Music.
She was guest artist at the American Liszt Society
Convention, the University of Iowa’s Distinguished
Artist Series, and Artist Series at L'Elegance in
Sarasota, Florida.
This season concerts and master classes take her
to Australia, South Korea, Beijing, Bangkok, Hong
Kong and Bali. In 2000-2001 Rebecca will be going
to Brazil and Colombia, South America andSouth Korea.
Ms. Penneys gives world premieres in Rochester,
New York on a regular basis. Closer to home she
will be performing in Chautauqua, Toronto, Montreal,
Buffalo, Milwaukee, Harrisburg and Olean. She performs
annually with the Rochester Chamber Music Society,
Chautauqua Chamber Music Society, Roycroft Festival
and Salon Concerts at the Academy.
As a pedagogue, Ms. Penneys has received extensive
recognition in academic and medical circles for
her ability to teach an approach to keyboard technique
(Motion and Emotion) that that allows pianists to
achieve individual performance goals without physical
strain or injury. In January 1999, she was interviewed
about her teaching techniques for National Public
Radio’s program the “Infinite Mind.”
For the past sixteen years she has given annual
“Motion and Emotion” summer seminars
at Eastman. In 1993 the seminar consisted of a discussion
and performance of the complete Chopin Etudes. In
1994 the seminar focused on Tension, Attention and
Intention. The 1995 and 1996 seminars continued
this theme and emphasized Pathways to Better Learning,
Practicing, Performing and Teaching. The topic for
1997 was the Aural History of Piano Sound. In 1998
the seminar focused on a Portrait of Chopin; the
1999 theme was The Flexible Pianist. It explored
solo and chamber/collaborative learning, rehearsal
and performance techniques.
At the Chautauqua Festival, Ms. Penneys has created
a mix of traditional and innovative classes designed
to augment standard academic education. The program
is dedicated to widening perspectives on performing
and learning and strives to understand and encourage
the uniqueness of each student's talents and career
goals.
Ms Penneys’ PBS television program for the
Musical Encounters series, The Piano: Its Sounds
and Moods has been shown numerous times on national
TV. She has been guest editor of a special summer
issue of Seminars in Neurology, a publication devoted
to music and medicine. Her article entitled "Motion
and Emotion" appeared in the September 1992
issue of Clavier. She has co-authored a book (1994)
with Dr.Raymond Gottlieb entitled The Fundamentals
of Flow in Learning Music. Appearing soon will be
an interview in Clavier magazine.
As adjudicator, Ms. Penneys' recent activities
have included judging the Stravinsky Awards in Illinois.
She was the American judge at the Vianna Da Motta
International Piano Competition in Macao in April
1999.
Ms Penneys has three recent solo CD's available.
The Voice of the Piano, works by Mozart, Mendelssohn,
Schubert and Gershwin and The Complete Chopin Etudes
both on the Centaur label, and All Brahms, a CD
which includes the ten Hungarian Dances arranged
by Brahms for two hands, Op.10 Ballads and Op.116
Fantasies on Fleur De Son Classics. An all-Chopin
CD will be released this spring. The New Arts Trio
has two new CD's on the Fleur De Son label: the
Arensky Trios and Beethoven's Arrangements for Piano
Trio - the 2nd Symphony & the Septet. Other
Penneys recordings are available on the CBS-Sony,
Pantheon, Orion labels, and the Society for Chamber
Music, Rochester, New York.
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