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Inspirational and exhilarating
piano teaching focusing on an all-rounded approach
of international standard, addressing each individual's
musical, artistic, emotional and intellectual needs.
Over 20 years of teaching and performance experience
internationally. Regular judge of multiple piano
festivals and competitions in central Texas. All
ages and levels are welcome to audition! Special
discount for Seniors and family of multiple students.
Please ask for detailed biography!
TEACHING PHILOSOPHY
When I was just a little girl I had the misfortune
of studying with a teacher who valued discipline
and trophy winning over enjoyment, understanding
and overall intellectual and musical growth. The
talent and interest with which I was born soon wore
out in my early adolescence. On a regular basis
I was given literature that was technically, emotionally
and intellectually unfit for me. It is hard to believe
I kept on and thank goodness I turned out all right!
Because of that experience, I was able to learn
and slowly evolved as a teacher who puts her students'
needs before all else. Today, teaching has become
both a passion and privilege to me. I believe the
quality of my teaching and the relationship I build
with the student(and the parents) are instrumental
to the overall development of the student's being.
The benefits of good music lessons are far-reached
for people of all ages. Not only is one able to
appreciate the beauty of all kinds of music and
enjoy the entertainment they provide, one can develop
excellent problem-solving skills, patience, discipline,
concentration and confidence. Quality music does
magic to the soul as well.
Regardless of the student's age, I consider choosing
the right repertoire, going through specific practice
strategies, and analyzing the ingenuity of every
composer's creation some of the most important things
in my teaching. My goal is to explain to the student
the musical, emotional and intellectual meaning
behind every marking or gesture on the score. Whether
it is helping a 5-yr-old dance and laugh through
a fun little country song or exploring with a 55-yr-old
the complex emotions and harmonic design of a Beethoven
sonata, I strive to motivate, inspire and guide
in a positive, disciplined and creative environment.
Having been brought up under the London Royal Schools
of Music system, I believe it is vital for a student
to be all-rounded in her/his musical education.
Sight-reading, aural skills, technique, and stylistic
awareness are all fostered on a regular basis whether
or not the student participates in any ABRSM examinations.
Ensemble skills are nurturred as well through regular
duet playing with me, other students, or with other
instruments. Whenever possible or appropriate, accompanying
or composition will be touched on. On the other
hand, performance is always encouraged in private
studio performance recitals, piano festivals or
competitions, or quarterly progress assessments
which both the student and parent will receive.
Last but not least, I make myself available outside
of lessons. They are encouraged to call or e-mail
me whenever they encounter difficulties during their
practice.
Lastly, to make it easier to some students, I either
travel to their home with a travel/fuel subcharge
or offer senior citizens and families with multiple
students discounts.
BIOGRAPHY
"Far more of a collegue, and a most accomplished
one at that, than a student" was how Sir Graham
Johnson described coach/pianist Shirley Chow Bolen,
at the end of her participation in Sir Johnson's
seminars at SongFest 2001 in Orange County, California.
Originally from Hong Kong, Ms. Bolen was teaching
piano professionally by the age of 16, and by 18
was hired by the reputable Yip's Music Center as
a kindermusik instructor and children's chorus conductor.
Her musical versatility led to performances in Taiwan
and the Phillippines, and
collaboration with pianist Roger Woodward and the
Czecho-Slovak Philharmonic Orchestra.
Ms. Bolen's teachers have included William Black,
Kenneth Griffiths, Eiji Hashimoto and Sandra Rivers.
She has also coached with Dorothy Delay. From 1997-2004
Ms. Bolen acted as pianist/repetiteur for the Opera
Theatre at the University of Texas, and taught accompanying
at Texas Lutheran University in Seguin in 2000.
A faculty coach/pianist for the Austrian-American
Mozart Academy in Salzburg from 2000-03, she was
invited in 2003 to be the guest mezzosoprano soloist
in the Academy's performances of Mozart's Requiem.
While in Texas, she judged in piano competitions
and festivals all over the state, including the
Austin Music Teacher's Association and the Federation
of Music Clubs.
Ms. Bolen was Apprentice Coach with Virginia Opera
for the 2004-2005 season, where she served as Music
Director and Tour Manager of VOA's Spectrum Resident
Program and as Assistant Chorus Master under Maestro
Peter Mark. While in Virginia, she was also rehearsal
pianist for the Todi Music Fest under Maestro Walter
Attanasi. 2005-2006 saw her as Apprentice Coach/Pianist
with Utah Opera, where she played rehearsals under
Maestri Keith Lockhart, Robert Tweeten and Christopher
Larkin.
She holds a BA in Piano Performance from Chinese
University of Hong Kong, a L.T.C.L. Performance
Diploma in Piano from Trinity College of Music,
and a Performance Certificate in Voice from the
Royal Schools of Music in London. She also holds
a Master's degree in Accompanying from the University
of Cincinnati's College-Conservatory of Music. Her
playing and musical arrangements can be found in
the movie The War At Home and in the recording Debut
by flutist Sheryl Goodnight.
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